2019a



Disposition

 




For a long time I did not know what to call this work. It could have been called "ode to  shame". or "my world is not so wonderful". It could have. But I called it "disposition": a repeated mispronunciation of "this position" sliced to pieces on a carpet. 

In this work i sought to question the disposition of “the personal” as explicit material in an artist’s/art work. this was put into a frame of work occupied by the relationship between speech (use of language) and dance (use of body) within choreography (an abstract structure to facilitate action).duration 12m or 8m (space-dependent) choreography, performed by Harel  Wahnich music J.S.Bach, BWV 988, Glen Gould (1981); L.V.Beethoven Op. 125, Symphony no. 9, H.V.Karajan w. Berlin Philharmonie (1983) process accompanied by Tami Lebovits appeared at Ha’Hanut Gallery Theatre, Tel Aviv, Israel documentation Daniel Pakes, Amit Mann
Thank you Tami Lebovits, Jean-Marc Liling, Tal Rosen