1/4
DISPOSITION (ETUDE)
2019b

Duration 12m or 8m (space-dependent)

Performed at
Ha’Hanut Gallery Theatre, Tel Aviv, Israel
 
Choreography, Performed by
Harel  Wahnich 
Music J.S.Bach, BWV 988, Glen Gould (1981); L.V.Beethoven Op. 125, Symphony no. 9, H.V.Karajan w. Berlin Philharmonie (1983) process accompanied by Tami Lebovits  
Documentation Daniel Pakes, Amit Mann

For a long time I did not know what to call this work. It could have been called "ode to  shame". or "my world is not so wonderful". It could have. But I called it "disposition": a repeated mispronunciation of "this position" sliced to pieces on a carpet. 
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Thank you Tami Lebovits, Jean-Marc Liling, Tal Rosen

2/4

A MINOR LEAP (ETUDE)
2019c

Duration 19m

Performed at The School of Visual Theatre MARATHON 2nd Year

Choreography and Performance Harel Wahnich
Music G. F. Handel, HWV 7, Lascia Ch’io Pianga; K. E. Andersen (2019); A. Vivaldi, RV 315 Summer III Presto; I. Perlman, London Philharmonic Orchestra (1983)
Process accompanied by Maya Levi
Documentation Amit Mann

A recipe for a glorified failure: an attempt to articulate the pleasure and suffering of the encounter and commitment created by the artistic canon; the destiny of the Western individual to repeatedly crash against the mythological infrastructures of culture, and rise. In pursuit of (this) ageless beauty, David (the sculpture) remained intact, while my back and genitalia did not.

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Thank you Tami Lebovits, Jean-Marc Liling, Tal Rosen

3/4
GOOD NIGHT SATANIC HYPO (ETUDE)
2020b

Duration 10m

By Ori Isahar, Oded Komemi and Harel Wahnich
Performed at The School of Visual Theatre, Internally/COVID
Performed by Ori Isahar, Oded Komemi, Harel  Wahnich 

We wrote a manifesto. Together. It is entirely a command to be. Passion machines, particle accelerators. Organic cyborgs. Subjects without history. Narcissists who love truth and beauty and operate in radical collaboration.
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4/4

CERTAIN MACHINES (ETUDE)
2020a

Duration 14m

by Ori Isahar and Harel Wahnich

Performed at The School of Visual Theatre, Internally/COVID

Choreography Ori Isahar, Harel  Wahnich
Performed by Ori Isahar, Achinoam Mendelson, Sara Azeglia Siegel, Lilla Roma Weisselberg 

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A choreographic étude. We sought to create a choreographic piece "without content," based on aesthetic decisions; to risk exploring the limits of the "innocent passion" to create intensely and together. This is an articulation of values.